CASHBOX Magazine has a rich history dating back to the 1940's. As you can imagine thousands of artists have passed through our doors. You can see them in our archivepages. We realized that for various reasons many deserving artists quickly became a thing of the past and have long been forgotten. Others have continued to stay in the mainstream to this day. With the New CASHBOX Hall Of Fame we are going to level the playing field and awards will be presented based on strict criteria by industry veterans.
Initially we will present awards for those still alive from the 30's forward. We will also induct four posthumous awards each month. Inductees will be chosen by industry professionals at CASHBOX and Record World Magazine as well as outside music veterans who have been instrumental in driving this initiative.
Our goal is simple. Give recognition that is earned, not bought while creating a music ecosystem that is genre based and NOT a melting pot of other Hall of Fame collections. It will be accurate, consistent and we will also reach out to the public for their input and suggestions.
We believe that this interactive approach will build excitement and recognition around the world.
The Allman Brothers Band combined deeply Southern strains of music — blues, country, and gospel — with boisterous rock & roll and their jazzy, jam-oriented style. Thus they created the "New South" sound, drafting a template to be used for decades by everyone from Lynyrd Skynyrd and the Marshall Tucker Band to My Morning Jacket and the Drive-By Truckers. Brothers Gregg and Duane Allman grew up in Daytona Beach, Florida, and played in various bands until 1963, when they formed the Escorts, which became the Allman Joys in 1965. After their version of Willie Dixon's "Spoonful" failed as a single, the two brothers and three other band members went to L.A., where they signed with Liberty Records as the Hourglass. They recorded two albums (Hourglass, 1967, and Power of Love, 1968) before heading to Muscle Shoals, Alabama, to record at Fame Studios. Liberty rejected the resulting tapes, and Duane and Gregg returned to Florida, staying in Jacksonville. Soon after, the brothers joined the 31st of February, whose drummer was Butch Trucks. After recording an album, Gregg went back to L.A. to make good on the Liberty contract. Duane stayed in Jacksonville, where he began playing with the Second Coming.