CASHBOX Magazine has a rich history dating back to the 1940's. As you can imagine thousands of artists have passed through our doors. You can see them in our archivepages. We realized that for various reasons many deserving artists quickly became a thing of the past and have long been forgotten. Others have continued to stay in the mainstream to this day. With the New CASHBOX Hall Of Fame we are going to level the playing field and awards will be presented based on strict criteria by industry veterans.
Initially we will present awards for those still alive from the 30's forward. We will also induct four posthumous awards each month. Inductees will be chosen by industry professionals at CASHBOX and Record World Magazine as well as outside music veterans who have been instrumental in driving this initiative.
Our goal is simple. Give recognition that is earned, not bought while creating a music ecosystem that is genre based and NOT a melting pot of other Hall of Fame collections. It will be accurate, consistent and we will also reach out to the public for their input and suggestions.
We believe that this interactive approach will build excitement and recognition around the world.
Bea Wain (born Beatrice Weinsier; April 30, 1917) is an American Big Band-era singer born in the Bronx, New York City. She had a number of hits with Larry Clinton and his Orchestra. After her marriage she and her husband became involved in radio.On a 1937 recording with Artie Shaw, she was credited as Beatrice Wayne, which led some to assume that was her real name. On record labels, her name was shortened (without her permission) to "Bea" by the record company, ostensibly for space considerations. As she explained, "They cut it to 'Bea' Wain. They cut the 'Beatrice' out to 'Bea.' I was just a little old girl singer, but that's the truth. So that's how my name became 'Bea Wain'.
She led the vocal group Bea and the Bachelors (with Al Rinker, Ken Lane, and John Smedberg) and the V8 (seven boys and a girl) on the Fred Waring show. In 1937, Wain joined former Tommy Dorsey arranger Larry Clinton and His Orchestra, which she joined after doing chorus work with Fred Waring and Ted Sttraeter. Her debut with Clinton was made in the summer of 1938 at the Glen Island Casino, New York. She was featured with Clinton on a number of hit tunes, including "Martha" and "Heart and Soul". In 1939, she was voted the most popular female band vocalist in Billboard annual college poll, and that same year she began her solo career. Her first theater tour as a solo led to her being signed for the Your Hit Parade and RCA Victor records